What would you do to get a second chance at life? Questions concerning
mortality and morality have been fodder for countless science fiction
books and movies. This movie itself is a remake of the 1966 John
Frankenheimer film
Seconds, which in turn was based on
the book by David Ely, but today’s outing would rather spend time on car
chases and gun fights rather than get into the deeper aspects of the
subject.
*some spoilers below*
Billionaire real estate mogul Damian Hale (
Ben Kingsley) is dying of cancer, but when he finds a card from a company called Phoenix Biogenic with the cryptic message “
They can help you”
written on the back, along with a phone number, he decides maybe money
can buy him an escape clause from death. This mysterious company is run
by Professor Albright (
Matthew Goode)
and for a price you can get a second chance at life through a process
called Shedding. Damian is shown genetically grown bodies that your
consciousness can be transferred to; the only hitch is you must
completely abandon your old life.
“Ryan Reynolds? Don’t you have any Brad Pitt’s lying around?”
Damian
goes through with the process, after having faked his death at a
restaurant in front of his best friend and partner Martin (
Victor Garber),
and wakes up to find himself in what he thinks is a brand new body. One
of the apparent side effects of the procedure is that you will suffer
hallucinations, but there are some nice red pills to help with that.
Eventually Damian (now looking like
Ryan Reynolds)
figures out that his hallucinations may not be what the good doctor
says they are, and that they are actually memories peculating up from
the recess of the brain he's now inhabiting. He ends up on a road trip
to track down these images he keeps seeing; a water tower, a beautiful
Hispanic woman and a cute little girl. His visions eventually lead him
to Brighton, St. Louis and a small little house that belongs to Madeline
(
Natalie Martinez) and her daughter Anna (
Jaynee-Lynne Kinchen)
who match the flashes of "memory." While wandering around the house he
of course confirms that the body he currently inhabitants wasn’t some
vat grown body, but that of a living man by the name of Mark, who was
married to a Madeline, but gave up his life for the money required to
save their sick daughter. This is when guys with shotguns and
flamethrowers show up.
Phoenix Biogenic has a harsh customer service department.
It’s
at this point the film decides it doesn’t want to get into any
philosophical debate about the mind or the soul, or what makes a person a
person, not when you can have gunfights, car chases and badass hand to
hand combat. Lucky for Damian that body he now inhabits was some kind of
Special Forces military dude, and so he is able to use muscle memory to
take out Professor Albright’s goons. This is only made possible because
Anton (
Derek Luke),
chief henchman for Phoenix Biogenic, is told to bring in Damian alive.
Why Albright would want Damian alive is never explained; they have his
money, and Damian's knowledge of the Phoenix Biogenic’s dark secret
could ruin them, so keeping him around is just ludicrous.
“Here at EvilCorp we rely on the kindness of strangers.”
This
is a movie that sets up an interesting premise, and then doesn’t bother
to do anything with it. Once the third act kicks into action mode it
becomes another check your brain at the door thriller. It also made the
mistake of casting Ryan Reynolds to play Ben Kingsley. Now I think Ryan
Reynolds is fine actor, and was recently very impressed with his
performance in the film
Voices,
but nothing in his bag of acting tricks can make us believe he is an
aging Ben Kingsley stuffed in a younger body. That Reynolds had already
done the body switching shtick in
The Change-Up makes this casting choice even more bizarre. Directed by
Tarsem Singh this film comes across like a
Limitless knock-off, nothing like Singh’s previous, and more interesting works. This is not a terrible film, just immensely forgettable.
A better movie would have been if Ryan Reynolds had body swapped into Ben Kingsley.
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