This episode is the last of the season and the last of the series. The
valiant crew of the Galactica may have staged several victories against
the Cylon Empire, but they were no match for poor ratings.
The final episode begins with Apollo (
Richard Hatch) and Sheba (
Anne Lockhart) going on a double date with Starbuck (
Dirk Benedict) and Cassiopeia (
Laurette Spang).
Apollo takes the group to the highest point aboard the Galactica,
positioned directly above the main thrusters, to where a mostly
forgotten Celestial Chamber is located. The room is a dome made of
transparent tylinium and gives the viewer an unparalleled view of the
stars, to Apollo “
It’s like riding in the hand of God.”
Note:
Apollo explains how there use to be many of these chambers on the
Galactica when she was launched 500 yahren ago. So they are flying
around in a ship five centuries old? That doesn’t seem safe to me.
While
Apollo waxes nostalgic about the good ole days when navigators would
come up to one of these stations to verify the computers navigation
information Sheba notices something coming through on the ancient and
unused Gamma Frequencies. The picture is in very poor quality but Apollo
says it reminds him of the space crafts that the colonies used many
yahrens ago. The group is excited about this discovery and yank poor
Boomer (
Herbert Jefferson Jr.)
out of bed to get his expertise on long range communications on the
job. He isn’t able to clean up the picture much but he does deduce that
either it’s a harmonic signal, which means it could be really close, or
if the signal is at its original frequency then it could have been
traveling through space for thousands of yahrens. So basically not very
helpful.
Note: The transmission is of footage from the return of the ascent stage of the 1969 Apollo mission.
When they report their findings to Adama (
Lorne Greene)
he orders scans in the direction that the signal seemed to originate
from. A planetary system is detected in the direction of the
transmission, so Adama orders a Viper patrol into the system to take a
closer look. Apollo, Starbuck and Sheba start to explore the system when
Starbuck detects a Cylon basestar rising into orbit from the third
planet. The trio immediately retreat back to the Galactica before the
Cylons scans can spot them.
The Cylons have returned, better late than never.
Colonel Tigh (
Terry Carter)
explains that they will have to backtrack a long way to get a fleet
their size around the Cylons undetected. Adama comes to the conclusion
that the signal Apollo picked was just an elaborate lure for a Cylon
trap, though Apollo isn't too sure of that. Tigh re-iterates that, “
There is nothing we can do but turn back.” Starbuck exclaims, “
The must be another way.”
“Yes there is. We can attack.”
Adama
believes that to cover this much space in the hopes of catching the
Galactica that the Cylon basestars must be spread pretty thin, so this
lone basestar is a perfect target for a surprise attack, and Adama
states “
Even if we didn’t have the advantage, I’m tired of running.“ Tigh responds,
“Adama, so am I.”
This is a great scene with great actors, and if the series had
maintained this level of writing the show may not have been cancelled.
That scene is then followed by an even better one where after Apollo
convinces Starbuck that the only way to win against a basestar is if the
Cylon’s scanners are knocked out ensuring the Galactica gets in the
first punch, which will involve Apollo and Starbuck flying into the
basestar inside Baltar’s seized Cylon Raider Our two heroes are shortly
confronted by Sheba and Cassiopeia, neither of which are keen on the
men they love going on a suicide mission. Sheba confronts Apollo saying,
“
You really want to get yourself killed, don’t you? Ever since you
lost Serena you’ve taken every high-risk mission on the board. She was a
very lovely woman, but she’s dead.” This is not the kind of
dialogue we are used to getting on this show, and when Cassiopeia yells
at Starbuck during their own tête-à-tête that he doesn't understand how
she and Sheba feel, his cocky heroic swagger cracks a bit as he fires
back, “
Yes, I do understand! I just don’t see the sense on dwelling on what might go wrong. It’s a lousy way to live.” They lovingly embrace and Starbuck tells her, “
I’ll be back, I promise.”
“If you’re not, I’m going to kill you.”
The
raw emotion in that scene is just staggering, special kudos to both
Anne Lockhart and Laurette Spang who do some major heavy lifting here,
but enough with the touchy feely stuff now it’s time for some balls to
the walls action. The Cylon Raider that Apollo and Starbuck will be
flying is outfitted with a beacon that will let the Colonial Vipers know
not to blow them away, so of course during the mission that tracker
gets dropped and smashed while running from come Centurions. Not sure
why they were carrying that beacon around anyway as it really only
serves its purpose aboard the ship. That is really the only wrinkle as
things unfold pretty much as planned. Starbuck and Apollo join up with a
Cylon patrol that flies them right into the basestars hanger deck, and
then make their way to the command center to place charges to blow up
the scanners. The location of the command center provided to them by
Baltar (
John Colicos) who, if they win against the basestar, will be dropped off at the next inhabitable planet with enough provisions to survive.
“If they don’t succeed, I die too.”
Boomer
and Sheba lead their attack squadrons to draw out the Cylon Raider
while the Galactica swings around and comes at the basestar from behind.
Apollo and Starbuck sneak around the Death Star looking for the
tracking beam controls…I mean sneak around the basestar looking for the
scanner controls. The action packed finale is only hampered a bit if you
tend to notice all the Viper/Cylon combat is recycled footage from
previous episodes, and even the “slugfest” between the Galactica and the
basestar uses footage from
The Living Legend when Commander Cain took on two basestars.
“We meet again for the very first time!”
This
was an excellent episode with not only cool action but with some
intensely worked emotional beats to it, and clearly an example of the
great writing of
Donald Bellisario and not so much that of
Glen A. Larson,
who though a great pitch man is not a great writer. Thus the last
Battlestar Galactica continues to lead its ragtag fugitive fleet on a
lonely quest… for a shining planet known as Earth. That is until the
series is re-started in
Galactica 1980.
Then the true sadness begins.
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