With
Deathstalker II we get the last
Sword & Sorcery movie that
Roger Corman produced in Argentina but unlike the first
Deathstalker, which had a darker more serious tone, this film directed by the always fun
Jim Wynorski has a decidedly more comic sensibility.
What’s interesting is it didn’t start out that way as the screenplay by
Neil Ruttenberg
was more in keeping with the original but once on location Wynorski
tossed that script out and proceeded to make it up as he went along.
Each night after a day of shooting Wynorksi and his American cast
members would go back to the hotel to work on the next day’s pages and
with Warner Brothers cartoons being the only English programming on
Argentina TV this greatly influenced the tenor of the film and why
Deathstalker II comes across as hybrid of Looney Tunes and Conan the Barbarian.
Indiana Jones and the Temple of Paper Mache .
One quality that makes a true Corman production is its ability to
recycle elements; whether that be using the same sets, the same actor
for multiple parts, or even using footage from previous films.
Recycled Nudity
Recycled Ham.
Recycled Stuntmen.
According to Wynorski the plot of
Deathstalker II was loosely inspired by Frank Capra’s
It Happened One Night
where the carefree hero meets a damsel in distress and eventually love
prevails amongst their madcap adventures. Now aside from the hero
bearing the same name as the character portrayed by
Rick Hill
in the first movie there is no connection between this film and that
one, and its comic tone almost makes this film more of parody of the
first movie than a sequel as it is very self-aware.
“Deathstalker? Is that your first name or your last name?”
The plot centers on Princess Evie (
Monique Gabrielle) who has had to flee her kingdom to escape the clutches of the evil sorcerer and master swordsman Jarek (
John Lazar)
who has put an evil double of Evie on the throne. Evie is forced to
take on the guise of a seer named Reena to enlist the aid of
Deathstalker (
John Terlesky).
Reena encounters Deathstalker just as she is about to be raped by some
local guards and to say his reaction to seeing a woman about to be
sexually assaulted is a tad odd is an understatement, “
Ordinarily I
don’t mind seeing a woman get a good beating, if she deserves it, but
this doesn’t look like much of a contest to me.”
Apparently Deathstalker takes relationship advice from Sean Connery.
This is what really sets apart the two
Deathstalker
films, if this line had been delivered by Rick Hill in the first movie
it would have just added to his creep factor while here, and delivered
by the charming John Terlesky, it comes across as funny and roguishly
charming. Jim Wynorski completely understands what makes a likable rogue
character and proves it by shamelessly ripping off
Indiana Jones and
James Bond
constantly throughout the film. Even Jarek has considerably charm as
the villain, which makes him more of an interesting character than your
stock moustache twirling baddie we get in most of these types of films.
Is it just me or does the slightly effeminate Jarek the Sorcerer remind anyone else of Ard the king from the Den sequence in
Heavy Metal?
Under her guise as Reena the Seer and with her
Crystal Doorknob of Power
Evie is able to convince Deathstalker to travel to a far off land,
rescue the beautiful princess, slay the evil sorcerer and become very,
very rich.
She had him at very, very rich.
Meanwhile Jarek isn’t letting the grass grow under him as it is very
important to him that he gets the real Princess back because her and her
magically created evil double are still physically linked and if the
original dies so does the copy.
The Evil Evie and her Freudian Fruit of Doom
Jarek enlists the aid of Chin the Buccaneer (
Marcos Woinsky ) and Sultana (
Toni Naples) who has her own score to settle with Deathstalker as it was her temple he robbed during the film’s opening action piece.
The sultry Sultana.
Chin on the other hand is just in it for the money and recruits some extra help in the form of the
Fearless Five.
“
And
last but not least a real find, Buddy ‘Footstool’ Laroza, only recently
dismissed by Ivan the Terrible for excessive brutality.”
This group of thugs are here only to be easily dispatched by
Deathstalker to show off his awesomeness so they are stabbed, broken and
blown up by our hero without much impact on the story.
Trivia Note: The character Chin is only in the film to allow Jim Wynorski to make an obscure
Hawaii Five O reference. I kind of admire that.
“Give it to me Chin, what have you got.”
On their quest to overthrow Jarek and reclaim Evie’s throne our heroes must survive many travails such as…
Exploding arrows
A crushing wall of spikes
Zombies
…and of course Amazons.
Our heroes’ journey is interrupted by a group of warrior women who
put Deathstalker on trial for crimes against womanhood. Apparently his
exploits with the fairer sex has gotten around. Even for a movie such
as this the following sequence stands out as rather bizzare as all of a
sudden they are spoofing
Rocky (right down to the music cues) as Deathstalker must face off against Gorgo (
Dee Booher aka Queen Kong) a 300 pound Amazonian giant in the ring.
“Dolph Lundgren sends his regards.”
Of course Deathstalker prevails and having finally learned that Reena
has lied to him and is actually Princess Evie he gives her the ole
kiss-off and proceeds to make out with the Queen of the Amazons only to
sneak away when he finds out he will be forced to marry her in the
morning.
Certainly a fate worse than death.
Meanwhile Evie is captured by Sultana and is hung over a pot of boiling oil.
Deathstalker arrives in the nick of time and quickly dispatches
Sultana with a thrust through the gullet and then our two leads finally
make it to Evie’s castle. Though they sneak in easily enough things go
south rather quickly as Deathstalker is captured and sentenced to
death…again. Deathstalker is strapped down below a bladed pendulum by
the resurrected Sultana and manages to rip off both
Goldfinger and
The Pit and the Pendulum in one scene.
“No Deathstalker, I expect you to die.”
Because Evie can’t go five minutes without getting into trouble,
though she miraculously managed to evade capture when Deathstalker was
caught, she is captured and about to be raped by a group of guards just
outside the castle. She is rescued at the last minute by the Amazons
from earlier and though we do get some nudity here the scene sticks out
as rather distasteful in an otherwise fun romp of a movie and is more in
keeping with the first
Deathstalker.
For a minute there I thought I was watching Deathwish II
Deathstalker is freed from this latest deathtrap by the Evil Evie who
wants to seduce our hero so she can suck out his life force but the
real Evie arrives in time to save him from La Petite Mort.
I’ve noticed that our hero spends a lot of time in bed.
The film wraps up rather nicely as Deathstalker and Evie find
themselves surrounded by Jarek and his minion only to be saved once
again by the Amazons. Sultana, fed up with the whole affair, just takes
off while everyone else breaks into battle mode.
A Deus Ex Machine of Amazons.
Evil Evie meets her end at the point of Good Evie’s knife and dissolves into ash
.
Finally Deathstalker and Jarek face off and though this is no duel at the
Cliffs of Insanity
both actors comport themselves quite well with the sword fighting and
when Deathstalker breaks Jarek’s sword with a palm strike and then stabs
him with the broken blade…well that was pretty awesome even if it was
lifted from Sonny Chiba’s
Five Fingers of Death.
That the fight was choreographed by actor John Terlesky makes it even more impressive.
Jim Wynorski and company clearly had fun making this movie, well
except for Monique Gabrielle who apparently was not keen on the Third
World amenities, but they clearly knew that it is better to have the
audience laugh with you than at you and with blatant lifts from such
sources as
Raiders of the Lost Ark,
James Bond,
Laugh In and
Abbott and Costello this entry in the
Sword & Sorcery
genre stands apart from most its brethren with its wit and charm, even
if some of the jokes go a little too broad or are a little too old.
“Stalker, is that your sword or are you just happy to see me.”
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