When one is going to tackle a character as iconic as Dracula one has
to be very careful, for fans can be very critical and the danger is even
greater when you are doing an origin story that tries to make one of
literature’s great monsters sympathetic. Look what happened with
Maleficent. You must ask yourself the question, “
Does this untold story really need to be told?”
Although based on actual historic characters, this movie plays more like an
Elseworlds alternate dimension story than anything close to factual events. Vlad Dracula (
Luke Evans) did exist and he did have a beef with the Turkish Sultan, Mehmed the Conqueror (
Dominic Cooper), and the country of Transylvania is a real place, but that is pretty much the extent of this films historical accuracy.
Historical Note: Vlad Dracula was named Vlad the Impaler posthumously; no one called him this to his face.
We learn that when Vlad was a child he was given up to the Turks to
be part of the Sultan’s elite Janissary guard, and after years of war
and slaughtering thousands, where he earned the nickname “The Impaler”,
he eventually gets disheartened by his monstrous acts, decides that he’s
had enough, and leaves for home to live in peace. Why the Sultan allows
his most ferocious warrior to just grab his toys and go home is never
explained.
“If I need you again, is there some kind of Bat Signal I can use?”
Years later he is married to Mirena (
Sarah Gadon), has a young son (
Art Parkinson),
and all is right with the world. Transylvania has had ten years of
peace, and aside from a creepy monster that lives in a cave atop a dark
and scary nearby mountain that who kills all that enter, everything is
just spiffy.
It’s not like the cave is some convenient holiday spot, so who cares?
When the Sultan sends an envoy with instructions for Vlad to deliver
one thousand boys along with his son to the Turkish army, Vlad’s
peaceful world begins to crumble. With no army of his own, Vlad has no
choice but to obey. That is until he suddenly decides that the dark
killing machine in that horrible cave could be the answer to his
prayers. He enters the vampire’s lair and asks for the power to defeat
his enemies. The Master Vampire (
Charles Dance)
agrees, because he has his own evil agenda and needs a disciple to free
him from this cave. Once Vlad drinks the blood of the vampire, gaining
all those nifty powers, he learns that he must resist the insatiable
thirst for human blood for three days or he will be damned for all
eternity and the old vampire will be free of the cave. If he manages to
resist, he will regain his humanity.
“I know this seems like an overly complicated bargain, but I was a lawyer before I became a vampire.”
Now with super-strength, heightened senses, and the ability to
transform into a swarm of bats, he marches on the Turkish army killing a
thousand soldiers single-handedly. Vlad’s people barely
bat an
eye at this and quickly agree that they must all flee to the Cozia
Monastery before the full force of the Turkish army arrives to crush
them. While en route to Helm’s Deep *
cough*, I mean the
monastery, they are attacked by a scouting party of Turks and a bunch of
good Transylvania folk are killed, because Vlad can’t travel during the
day and can only arrive when the sun sets.
They haven’t invented sun block yet.
At what turns out to be the most well-armed monastery in the history
of monasteries Vlad readies his people for war, but when a local monk
notices Vlad avoiding daylight, he exposes Vlad’s monstrous nature to
the people who then immediately try and kill him by setting the building
he is in on fire. Lucky for Vlad the fire causes black smoke that blots
out the sun, allowing him to escape and then chew out his subjects for
being ungrateful fucks.
“Now I swear the next one of you primates that even *touches* me...”
The Sultan’s army finally arrives, blindfolded so that they won’t see
the horror that they face, and yes this looks as stupid as it sounds.
Vlad calls upon every bat on the planet and forms a gigantic fist out of
them, which he then blasts into the Turkish army with the force of a
hurricane.
Vampire Slam!
Unfortunately, someone left the backdoor open to this mountaintop
monastery, a bunch of sneaky Turks managed to get in through all the
incredibly inept Transylvanian soldiers, capture Vlad’s kid, and knock
Mirena off the mountain. The sun is beginning to rise, so Vlad is unable
to save her, instead having to comfort her and listen to her dying
words. Words I doubt anyone would be having after falling six hundred
feet to a rocky valley floor, but hey, true love and all that. Mirena
tells Vlad to drink her blood so that he can become powerful enough to
save their son, even though she has no reason to believe this would be
the case. Maybe they cut the scene explaining she was an expert on
vampiric lore and it’s rules.
“Vlad, I know this will cost you your soul but we have to justify you turning into a monster somehow.”
Drinking her blood gives him the ability to
instantly turn
any of his wounded and dying subjects into vampires even though his own
transformations looked to have taken at least a day. With his army of
the undead he slaughters his way through the Turks to finally confront
The Sultan. Mehmed apparently took the same course on vampires that
Mirena did, because he somehow knows that silver is Vlad’s kryptonite
and has littered the tent floor with silver coins to weaken Vlad.
“I also have a silver sword, and unless you can turn into a swarm of bats I will be victorious!”
Vlad turns into a swarm of bats and kills Mehmed. With his son saved
it looks like a happy ending, that is until all the recently turned
vampires decide the kid would make for a nice snack. Suddenly, the monk
who outed Vlad as a vampire shows up with a cross and rescues the kid
while Vlad uses his vampire super-mojo to part the clouds so the sun can
bake all the vampires to dust including himself.
“Thank you random monk who totally screwed me over earlier.“
Dracula Untold isn’t a terrible movie. Director
Gary Shore
has a feel for the camera, and Luke Evans does his best with this
version of Dracula, but sadly the effort that went into twisting and
bending the Dracula legend to make him the hero is just too convoluted
to work here. Which leads to the films main problem; if this is an
origin story on how Vlad Dracula became the monster we know and love
where is his descent into darkness? He commits not one evil act in the
entire running time, though he does kill shit ton of Turks.
“Yeah, but they were all bad.”
Basically,
you should not have a story where the hero takes on dark powers to save
his people and then show no downside. I think that’s in Story Telling
101. We do get a nice epilogue with Vlad in modern times hitting on a
pretty Mina Harker while a very dapper Charles Dance looks on, which
hints at what could be a good sequel.
Dracula Untold is
not a great chapter in the history of the world’s most famous vampire,
but it does have entertaining moments. I had fun watching, if not always
in the way the filmmakers intended.
Dracula will return in… Thunderball!
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