In much the same vein as Voyage to the Bottom of the Sea this pilot has to do with undersea exploration but comes across as more of an overly melodramatic soap opera than anything else, which would explain why the Network didn’t pick it up to go to series. It takes place in the far flung future of 2053 where the massive undersea city of Pacifica is thrown into disarray when crisis strikes the surface world and only they can save the day.
Tuesday, September 8, 2015
City Beneath the Sea (1971) – Review
Writer, producer, director Irwin Allen is probably most known as the “Master of Disaster” because of his successes with such films as The Poseidon Adventure and The Towering Inferno, but in the 1960s he was most notably a producer of high adventure science fiction television shows. Programs such as Lost in Space, Voyage to the Bottom of the Sea, Land of the Giants and The Time Tunnel
cemented him as the king of primetime science fiction, but not all his
attempts were successful, which leads us to today's installment, City Beneath the Sea.
In much the same vein as Voyage to the Bottom of the Sea this pilot has to do with undersea exploration but comes across as more of an overly melodramatic soap opera than anything else, which would explain why the Network didn’t pick it up to go to series. It takes place in the far flung future of 2053 where the massive undersea city of Pacifica is thrown into disarray when crisis strikes the surface world and only they can save the day.
In much the same vein as Voyage to the Bottom of the Sea this pilot has to do with undersea exploration but comes across as more of an overly melodramatic soap opera than anything else, which would explain why the Network didn’t pick it up to go to series. It takes place in the far flung future of 2053 where the massive undersea city of Pacifica is thrown into disarray when crisis strikes the surface world and only they can save the day.
Admiral Matthews rushes back to Pacifica to start the evacuation process while his brother encourages his partners that their heist plan is still good even if an asteroid is going to obliterate the city in a matter of hours. By now it’s been revealed to all that Mathews was not responsible for the death of Holmes and that Quin, a flunky working under Brett, is the murderer. This turns Lia’s hate for Mathews into adoration, because that’s how emotions work, and thus she will refuse to leave his side during their impending doom. Matthew’s himself will come up with the brilliant plan to stay behind and launch Pacifica’s nuclear arsenal at the planetoid in the hopes of diverting its path away from Earth.
So with the lives of everyone on the planet hanging in the balance, Matthews has to divide his attention between missiles launched without presidential approval and thwarting the robbery in Pacifica’s vault. With toolkit in hand he charges off to stop the heist and eventually kill his brother in an ironic fashion.
This movie was a mess. Even by cobbled together television pilot standards. None of the actors give even the slightest bit of a believable performance, with most of them clearly in paycheque cashing mode. The effects aren’t terrible for a TV production but for a show billed as City Beneath the Sea it mostly consists of people talking in rooms and hallways with not much actual undersea action. And I know that most 1960s science fiction movies weren’t bastions of scientific accuracy but this film reaches whole new levels of stupidity with its “science.” Not at all surprised that NBC passed on this one.
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