So you find a time machine in the basement, what do you do next? Director 
Dean Israelite and writers 
Jason Pagan and 
Andrew Deutschman try to answer that question as if posed to a group of idiot teenagers. The result is a movie that is more in line with 
Bill and Ted’s Excellent Adventure and 
The Butterfly Effect than it is films like 
Primer, 
Looper and 
Predestination.
 
 David Raskin (
Johnny Weston)
 is a seventeen year old science prodigy who wants to go to M.I.T. but 
though he is accepted he does not get the full ride scholarship he needs
 so that he can attend. So he roots around the attic in the hopes of 
finding something of his late inventor dad’s that he can parley into a 
scholarship. What he and his sister Christina (
Virginia Gardner)
 do find is an old video camera that contains footage of David’s seventh
 birthday party, but what is startling is that on this footage is a shot
 of seventeen year old David caught in a reflection. This leads to David
 and Christina checking out their dad’s basement lab and the discovery 
of a temporal relocation device, aka time machine.
"It’s cool but it’s no flux capacitor."
Right
 there my suspension of disbelief is challenged, not them finding a time
 machine hidden in the basement that’s totally cool, no what I don’t buy
 is the fact they we are supposed to believe that this science geek has 
not been in this lab during the past ten years since his scientist 
father died because he was told not to by his mom. This is worse than 
Richard Parker’s subway lab in 
The Amazing Spider-Man 2
 because at least that was hidden while this one was in the freakin 
basement! For a science geek David has very little curiosity.
“Curiosity killed the cat, and that sounds dangerous.”
David brings his two best friends Adam (
Allen Evangelista) and Quinn (
Sam Lerner)
 into this and with the aid of his videographer sister they plan to 
finish his father’s work. Time travel is some tricky shit to write as 
anything you do will raise questions of “cause and effect” and of course
 paradoxes, this film takes those things about as seriously as Bill and 
Ted did. They immediately decide to use the device for personal gain; 
Quinn wants to re-take a test so that his academic path will be 
smoother, Christine uses it to thwart some bullies, Adam to win the 
lottery “
duh” but it’s when David tries to use it to win the affections of his long time crush Jessie (
Sofia Black-D'Elia) things take a turn for the worse.
Time Travel Booty Call.
Turns
 out when David tries to “Groundhog Day” his way into Jessie’s pants the
 resulting butterfly effect has some devastating effects. This film 
could have gone in an interesting direction as our intrepid group of 
teens tries to deal with the cosmic ramifications of their invention, 
but instead we get a twenty minute commercial for Lollapalooza that 
stops the movie dead in its tracks. 
Project Almanac 
goes for cheap time-travel gags and not much else. They don’t even try 
to explain how if you repeatedly go back in time to the exact same spot 
why aren't you constantly running into multiple versions of yourself 
from the previous trips?
“This is so much better than killing Hitler!”
Many will compare this film to Josh Trank’s 
Chronicle but the use of found footage in that film seemed organic while in 
Project Almanac
 much of the time the filming of events is beyond stupid. At one point 
this gang of idiots realize they need hydrogen to power the time machine
 so they break into their high school science department to get it. AND 
THEY FILM THE ENTIRE CRIME! It's one thing to want to document this 
wonderful scientific discovery you are making for the sake of posterity,
 but you may want to leave out the parts that involve felonies. Of 
course the biggest stumbling block to the found footage genre is 
justifying why characters are carrying around a camera and filming 
everything, and this film doesn’t even try.
I’m not even sure who is filming half the time.
As
 I’ve said before, writing a solid time travel story is not easy but if 
you aren’t going to take the genre seriously you then at least have to 
give us characters we can relate to. Sadly, this group of yahoos are too
 dumb for me to get behind. After their first “successful” test of the 
device sends a toy car back in time, but also with it ending up phased 
through the wall, they are convinced by Jessie to skip any more trials 
and move immediately to human testing. I know that a pretty girl can 
drop some guy’s IQ points just by their proximity but you’d think 
Christina would have stepped in and smacked some sense into her brother 
and his idiot friends.
“Guys, she has a vagina, we must listen to her.”
I’ll
 give the film credit for the cool back-pack time machine that can be 
operated via a smart phone, but it’s constant barrage of stupidity 
undercuts any cool factor it tries to build. This isn’t the worst film 
of the genre, I’m more disappointed of the wasted potential than 
anything else. So if you are a fan of time travel movies and have 106 
minutes to kill go ahead and check it out, but keep expectations 
lowered.
1 comment:
Je ne suis pas du tout d'accord avec cela le film est géniale et tout l'interêt est dans le faite que cela soit filmé avec la caméra avec laquelle tout a commencé . De plus si il n'y avait pas eu Jessie le film n'aurait pas eu autant de sens car si elle ne les avait pas poussé a voyager dans le temps sans faire d'autre test le filme aurait été juste une expérience alors que là cela nous fait beaucoup réfléchir sur l'utilisation de la machine a voyager dans le temps . De plus si il n'y avait pas eu Jessie , David n'aurait jamais remonté le temps pour aller l'embrasser et donc une série d' évènements n'auraient pas eu lieu et il y aurait eu des problème comme celui du porte-clés . En plus , cela nous donne une fait splendide avec David qui dit a Jessie qu'ils vont changer le monde ensemble .
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