Knights of the Round Table (1953) – Review

Though credited as being based on Sir Thomas Malory's Le Morte d'Arthur Richard Thorpe’s Knights of the Round Table bares but a passing resemblance to Malory’s collection of Arthurian tales, instead of covering the numerous exploits of Arthur and his knights this movie focuses almost solely on the forbidden love affair between Lancelot and Guinevere.

Knights of the Round Table begins at the Chapel of the Sword where two parties claim right to rule all of England, on one side we have Arthur Pendragon (Mel Ferrer), son of the late King Uther, and on the other is his half-sister Morgan le Fay (Anne Crawford) and her knight champion Modred (Stanley Baker), who is neither Arthur’s incestuous son or even his nephew as he’s been depicted in different versions of the Arthurian tale.   Morgan maintains that as she is the only legitimate offspring of the late king that the throne belongs to Modred, and I’m not exactly sure how that argument works.  If this version of Modred is just Morgan Le Fay’s champion and boy toy then how in the hell is he the rightful king?

 

“My boyfriend should be king, he’s so dreamy.”

Setting aside the issue of bloodlines and rightful succession to the throne Merlin (Felix Aylmer) moves on to the classic “Sword in the Stone” test to determine England's rightful ruler. Modred fails to pull Excalibur free and when Arthur easily rests the blade from the stone Modred accuses Merlin of witchcraft and demands a meeting at the Council of the Ring of Stones, where all the other tribal kings will decide if “One man shall rule them all.” Then in a bizarre twist Merlin orders Arthur to return Excalibur to the stone, telling him that he must prove himself worthy of the throne by his deeds.

So what was the bloody point of the whole Sword in the Stone test? Like many movies based on the Arthurian myth, magic is pretty much absent here and Merlin mostly fills the role of royal advisor, Morgan Le Fay is not an evil enchantress and the magical sword Excalibur is mostly forgotten.

 

“Put that silly thing away.”

As Arthurian movies go Knights of the Round Table works mostly as an episodic soap opera, one that is occasionally punctuated with sword fighting. We get introduced to those who will be become Arthur’s faithful knights; the French Knight Lancelot (Robert Taylor) – minus any semblance of a French accent – Gawain (Robert Urquhart) and Percival (Gabriel Woolf) who support Arthur against Modred, and an assembly of rival kings and general asshats to help fill out the cast. Once all of Modred’s forces are defeated Arthur calls for a truce and accepts all "enemy" knights to join the court of Camelot, which pisses off Lancelot who wants to gut the vile Modred where he stands. Lancelot storms off telling Arthur, “While that man lives I will not pay you homage,” but this tiff among friends is rather brief and only servers to separate them long enough for Lancelot to run into Guinevere (Ava Gardner) on his own, this so that he can become her champion.

 

“Let’s hook up and bring down a kingdom.”

It’s at this point that melodrama aspects of the film kicks into high gear with Morgan and Modred figuring out that Guinevere and Lancelot are in love, a perfect tool to divide Arthur’s knights, but when Merlin learns of this he advises Guinevere to break it off and convince Lancelot to marry the fair lady Elaine (Maureen Swanson) and ride off to guard the northern border from the murderous Picts. While there Lancelot mostly broods over his lost love but then Elaine eventually dies in childbirth thus Lancelot freeing him up for more evil manipulations by Morgan le Fay and company, who have murdered poor Merlin to stop his pesky meddling.

 

This is how the great wizard Merlin goes out, seriously?

What follows hits a few of the Arthurian highpoints; the affair is discovered, Lancelot and Guinevere are condemned to death but their sentence being commuted by Arthur, and Lancelot being banished from England while Guinevere is sent off to a nunnery.  This all gives Modred grounds to lead a civil war against Arthur and his faithful knights.

Knights of the Round Table does have a good sense of pageantry, not to mention being the first MGM film to be shot in CinemaScope, but most of the acting in this film comes across as either quite pompous and stilted or laughably overdramatic. We do get a fair amount of medieval action in this film but the battles are rather clumsy affairs and most examples of swordplay found here look about as convincing as eight-year-olds hacking at each other with sticks.

 

“Get on home, your mother’s calling you!”

Stray Thoughts:

• Both Merlin and Morgan le Fay are barely characters in this film, neither one shows any magical abilities and once Merlin is poisoned out of the picture Morgan le Fay is basically window dressing for Modred’s villainy.
• Elaine in Arthurian mythology tricks Lancelot into believing that she is Guinevere, and he sleeps with her. The ensuing pregnancy results in the birth of his son, Galahad. This movie’s version of Elaine is closer to that of Elayne of Ascolat, who dies of her unrequited love for Sir Lancelot.
• Though we do get the birth of Galahad in this movie he’s never seen beyond being a baby and it’s Percival who is the chosen finder of the Holy Grail rather than Galahad as in the Arthurian mythology.
• The hero of this film is clearly Lancelot’s horse Berrick, who is constantly saving his master’s life by either bringing him a much-needed weapon or pulling his sorry ass out of some predicament or other.

 

He’d be better off working for the Lone Ranger.

The only real standout performance in this film is that of Stanley Baker as Mordred, he seems to really relish the part of the villain but everyone else in the cast seems rather disconnected and when you’re dealing with one of the most famous love triangles in history having three lead actors looking about as engaged as if they were in a queue at the DMV that’s bit of a problem. Richard Thorpe’s Knights of the Round Table is far from the worst adaptations of the Arthurian myth but with all its splendour and pageantry it still couldn’t make this entry more than a mildly interesting affair.