Monday, February 24, 2020

Scooby-Doo! Shaggy's Showdown (2017) – Review

The Scooby gang doesn’t spend a lot of time in America’s South West, preferring gothic settings or exotic locals to dusty prairies and ghost towns, but still, they are certainly no strangers when it comes to phantoms of the West. They gang tackled Miner Forty-Niner in the episode “Mine Your Own Business” from the original series Scooby-Doo, Where are You! and more recently in the series What’s New Scooby-Doo? they tackled crazed robots in the old western town of Cyber Gulch in “Go West Young Scooby,” but with Scooby-Doo! Shaggy's Showdown we not only get a true cowboy-themed mystery but a little more “relative” history for one of the gang.


Mystery Incorporated is invited to visit the Crazy Q Ranch owned by Shaggy’s (Matthew Lillard) third cousin twice removed Tawny Rogers (Melissa Villaseñor), but upon arrival, the gang is quick to learn that the ranch and neighbouring town is being terrorized by the ghost of Dapper Jack Rogers, and the townsfolk freak out upon seeing Shaggy mistaking him for the ghost. Turns out Shaggy is a direct descendant of this notorious outlaw, which causes Shaggy to question, “How come no one in my family has ever mentioned this famous relative?” and is informed by Crazy Q’s chief ranch hand Rafe (Gary Cole), “Probably because he’s mostly known for being a violent gunslinger, so evil that his ghost has come back to terrorize the whole town.” Which has me wondering if the writers of this movie understand how fame and notoriety works. Are we to believe that somehow Shaggy’s parents have never mentioned there is a tourist attraction based on a distant relative?

 

Wouldn’t a simple google search have popped this up?

While the backstory of Dapper Jack is rather fascinating, with him and his ferocious dog Atlas terrorizing the town and committing such acts of villainy as cattle rustling, cheating at cards, and returning library books late, sadly the plot of Scooby-Doo! Shaggy's Showdown isn’t nearly so interesting as there was pretty much no mystery to found here as the secret behind the ghostly apparition of Dapper Jack is fairly apparent from the outset.  So, instead of a good mystery we are subjected to many long “comedic” sketches that range from the sad to the pathetic. The writers tried to throw a few suspects our way but none of them hold water; first we have emo-goth teen Desdemona Gunderson (Jessica DiCicco) who clearly would rather be anywhere than at a dude ranch with her parents and little brother, but as a suspect this is rather ridiculous and comes off as time filler. Next, we have two movie producers who could be using the ghost as a publicity stunt for their upcoming movie on the legend of Dapper Jack but this is debunked before it even has a chance of becoming interesting.  Finally, we have sisters Carol (Tania Gunadi) and Sharon (Lauren Tom) a pair of guests who constantly prank each other, in the most unfunny ways imaginable, but there is a big difference between dumping paint on your sister and harassing an entire town with a phantom rider.

 

This is a tad elaborate for a prank.

So who was behind this terrifying apparition? Almost from their moment of their arrival the gang hears about a company called Black Rattler Management who have been buying up all the surrounding land and business, getting the real estate cheap due to the ghost driving tourists away, so the reveal that they are the ones behind the ghost of Dapper Jack is not in the least surprising.  Even Daphne (Grey Griffin) pointed out that approximately 98% of the ghosts the gang runs into having ties to real estate. Despite her allergic reaction to horses Velma (Kate Micucci) and Fred (Frank Welker) are able to collect enough clues to lay the blame on Rafe and fellow ranch hand Kyle (Eric Ladin). Turns out Rafe is Black Rattler Management and he was buying up the land to turn the whole place into a Dapper Jack themed resort, but what sucks is the fact that he was never delivered up as a possible suspects, the “proof” against him isn’t revealed until the end – the computer font he used on the ranch’s website matched the font on the business cards of Black Rattler Management – so there was no way to guess his involvement.

 

The Case of the Tell-Tale Font.

Stray Observations:
• Velma is revealed to have an obsession with fonts, which not only makes her look like a crazy person – she even hyperventilates over them – but it’s only there for cheap laughs and the big reveal at the end.
• The Crazy Q’s ranch house bears a striking resemblance to the famous Winchester Mystery House. A mystery I’d rather see the Scooby gang tackle than this bit of Wild West tripe.
• With Velma and Fred acting like complete idiots in this outing it’s nice to see Shaggy being shown as not only brave but athletically competent, even winning a Bronco Busting competition.
• This film continues Fred’s increasing obsession with traps only this time it’s combined with the sudden clumsiness that results in him netting himself. Remember when Fred was the cool dependable leader of the group?

 

Why do these writers hate Fred so much?

Due to Scooby-Doo! Shaggy's Showdown lacking of an actual mystery the bulk of the film is full of lame comedic shtick that has little to no bearing on the mystery; we get the two sisters pranking each other, Desdemona’s little brother being afraid of horses and Shaggy entering the rodeo to save the ranch, all to fill the eighty-minute runtime. There is a section that is all about the missing diary belonging to the Sheriff he defeated Dapper Jack – which later reveals that Jack was innocent and that the Sheriff had framed him – but it didn’t add much to the proceedings other than to clear Shaggy’s ancestor. Overall, this was a wasted effort by the people over at Warner Brothers Animation and not an outing I can recommend to anyone other than diehard Scooby-Doo completists.

Real Ghost Alert: As the gang leaves town Shaggy and Scooby-Doo spot the real spirit of Dapper Jack on a distant ridge, and Jack gives Shaggy a nod of gratitude for clearing his name before disappearing.

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