Godzilla is no stranger to reboots, there have been several of them
since the original film hit theaters back in 1954, and the nature of
Godzilla himself has gone through
many incarnations
over the years. The interesting thing here is those past reboots just
wiped the slate clean of sequels while still considering the 1954
Gojira as canon, but now with 2016’s
Shin Godzilla
we have the first true fresh start from Toho Studios where Godzilla's
origin, and first arrival in Japan, is taken back to square. In this
Kaijū outing Co-directors
Hideaki Anno and
Shinji Higuchi unleashes the biggest and most dangerous version of Godzilla yet, and it will knock your socks off.
In the current American version of
Godzilla,
as well as dozens of Godzilla movies in the Toho series, we’ve seen
everyone’s favorite atomic lizard battling with countless other giant
beasties, but in
Shin Godzilla he is the only Kaijū
(from the Japanese “strange beast”) terrorizing the populace of Japan.
This harkens back to the original Gojira where that monster was
reflection of the horror and destruction surrounding the bombings of
Hiroshima and Nagasaki, while in this version the filmmakers are taking
inspiration from the Fukushima Daiichi nuclear disaster and the 2011
Tōhoku earthquake and tsunami, but in both cases the monster is not here
to help mankind, not even accidentally as was often the case.
No kid in short pants will be screaming for this guy’s help.
Any
viewer unfamiliar with Godzilla films should be forewarned that the Big
Guy is not going to have a whole lot of screen time, that's never been
the case in all thirty of Toho’s productions, but when he does make in
appearance it’s usually well worth the wait. The bulk of the movie’s
running time will be spent with a cast of various characters and how
they deal with the current crisis. In the case of
Shin Godzilla
we deal almost exclusively with Government officials and the experts
they’ve called in to help defeat the menace, and when watching this film
I couldn’t help but admire the writers in putting together a script
where you can completely believe this is how a major Government would
handle the situation.
The movie opens with a massive eruption in
Tokyo Bay and the subsequent flooding and collapsing of the Tokyo Bay
Aqua-Line. The Prime Minister (
Ren Oshugi) and his Cabinet scramble to figure out what exactly caused the disaster, but when Deputy Chief Rando Yaguchi (
Hiroki Hasegawa)
suggests the cause could be from a living creature he is quickly shot
down. The first act of the film is basically people stating what they
believe to be the case and then to be proven wrong almost immediately.
Here is my paraphrasing of this section of the movie:
Yaguchi:
“It’s a living creature, there's even footage of it online.” Prime Minister:
“Preposterous!” *Massive tail rises out of Tokyo Bay*
Prime Minister:
“Dammit!” Scientist:
“Nothing that big good walk on land.” *The creature proceeds to stomp across Japan*
Scientist:
“Crap on a cracker!”
He's threatening, but also a little goofy looking.
When
I first saw that monster waddle down the streets of Tokyo, tossing cars
and buildings out of its way, I assumed this was some beastie that
Godzilla would eventually show up and fight, but I was then quite
shocked to discover that this thing was in fact Godzilla. This version
of the monster rapidly grows and mutates through multiple stages; from
sea creature to four legged monster until finally becoming the gigantic
bipedal beast we all know and love. This all leads to delightful scenes
of scientists scrambling to figure out just what in the hell they are
dealing with, and not all that eager to postulate a theory in case
they’re wrong and thus harm their standing in the scientific community.
Rando Yaguchi assembles a crack team of somewhat eclectic members to
figure out a way to bring down Godzilla,
“Lone wolves, nerds, troublemakers, outcasts, academic-heretics, and general pains-in-the-bureaucracy.”
The film cuts between this group frantically trying to come up with a
suitable weapon, while also trying to figure out just what kind of
creature Godzilla is, with scenes of Government officials trying to deal
with such things as evacuations, worrying about civilian casualties,
and whether they can declare a State of Emergency.
The amount of Red Tape this would generate would be staggering.
Things get even more complicated when The United States step in to help, sending special envoy Kayoko Ann Patterson (
Satomi Ishihara),
who may have her own political agenda, to asses the situation. When
everything the Japanese military throws at Godzilla proves to be next to
useless; machine gun fire from attack helicopters and tank shells
bouncing of Godzilla’s skin equally, while missiles from fighter jets do
nothing more than slightly annoy the monster. When America B2 Stealth
Bombers are deployed it at first looks as if they’ve finally got a
chance at defeating Godzilla, blood flies from him in such amounts it
looks like the Red Sea exploded, but unfortunately this just makes him
really, really mad.
Don’t make Godzilla angry, you won’t like him when he’s angry.
Not
only does this Godzilla have breath that engulfs the city in a
firestorm but he can also fire highly destructive atomic rays from its
mouth and dorsal fins. Beams slice through skyscrapers like a hot knife
through butter, and the rays from his dorsal fins take out the bombers
and any further ordinance they try and deploy. One American scientist
concludes that Godzilla has some kind of
“built in phased-array-radar” which allows him to shoot out any target in the sky.
Shin Godzilla doesn’t just give us the largest Godzilla to date…
10.5 metres taller than the 2014 Legendary Godzilla.
..but
also easily the most powerful. The remainder of the film mostly deals
with Rando Yaguchi and his team scrambling to put together a plan that
could shut down Godzilla’s system, but they are under a time crunch as
America and the United Nations Security Council of convinced the
Japanese Prime Minister to allow them to deploy nukes, and a second
Hiroshima is the last thing anybody wants. The concern is that Godzilla
can reproduce asexually and once he finishes with Japan many more
countries, and possible the world, could fall.
The Age of Godzilla.
This movie is as serious as a heart attack, there are no nods or winks at the camera implying
“This is only a silly monster movie”
but instead we get believable characters acting in very realistic
fashions. When you see the Prime Minister waffling over the decision to
use force, when it could result in civilian casualties, you completely
sympathize with the guy. There are no villainous asshats giving the hero
a hard time. No one declares
“We can’t close the beaches, it’s the Fourth of July.”
Even the Americans aren’t demonized for wanting to deploy nukes as the
threat of Godzilla wiping mankind of the globe is very real.
Hoping he’ll just get bored and go away is not an option.
Shin Godzilla
is a fantastic entry in Toho’s long running series, and though it may
be missing the joyous smack downs we get when Godzilla is up against
other Kaijū it will still get your blood pumping, and I can pretty much
guarantee any fan of Godzilla will enjoy this film for not only do we
get epic scenes of massive monster mayhem but we also get the classic
Godzilla roar as well as the return of
Akira Ifukube's wonderful Godzilla March. What more could one want?
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