Irwin Allen’s
Poseidon Adventure and
Towering Inferno
set the standard for disaster movies of the 70s, with some of the
tropes of his films still surviving to this day, but it looks like South
Korean director
Kim Ji-hoon has taken up the mantle with this epic disaster film The Tower (aka Ta-weo).
He may have been inspired by 1974’s
Towering Inferno but I think it is a superior movie and he doesn’t even have the star-studded American cast that Irwin Allen had.
The key to a successful disaster movie is in the characters and not
as many would think in the special effects, sure people paid their five
bucks to see explosions, fire and people in peril but if you don’t
actually care about those people then the film fails. This is why movies
like
The Day After Tomorrow and
2012 don’t work because at no point do we give a damn if the protagonist live or die.
I dare you not to care about Ha-na.
The Tower spends the perfect amount of time setting up our soon to be endangered characters; there is Lee Dae-ho (
Sang-kyung Kim)
a single dad who is one of the buildings many managers with his job
dealing with building maintenance, we have his daughter the spunky and
precocious Ha-na who would like to see her dad get attached, in the
running for that position is Seo Yoon-hee (
Ye-jin Son)
the buildings restaurant manager who clearly likes the handsome but shy
Dae-ho. Also on board for this night of fun is a maid trying to earn
enough money for her son’s tuition, a comic-relief cook trying to
propose to the girl of his dreams, and the fire chief (
Sung-kee Ahn)
who gave up his first Christmas off with his wife to battle this blaze.
With that kind of back story his chances of making it out of this movie
alive are decidedly low.
“And I’m also five days from retirement.”
The film also has a good amount of characters to boo and hiss at;
there is the building’s owner Mr. Jo who orders helicopters towing snow
machines to give his guests a “White Christmas” even after being told
the winds are too high, there is Mr. Cha, the Tower Sky’s safety section
head who ignores Dae-ho’s concerns about the water-sprinklers not
functioning due to frozen pipes, and then there is the Mayor who diverts
rescue teams away from people in immediate danger so that they can
instead rescue the rich and powerful.
“I also refuse to close the beaches.”
Things go bad rather quickly when the feared high winds sends a
helicopter careening into one of twin towers of the 120 story structure,
its aviation fuel causes an insane conflagration that the firefighters
have almost no chance of putting out. Back in the day Irwin Allen and
company had to do much of this practically while now with the aid of
visual effects you can get an even more dramatic fire and stunts without
as much chance of injuring a stuntman. Fire and water are two elements
that CGI has often had trouble duplicating but director Kim Ji-hoon
spent two years on the post-production effects work to insure it looks
great. The blend of practical and visual effects in this film shows that
the time was well spent.
Fire, man’s oldest enemy.
With tensions mounting as the fire spreads floor by floor things look
bad for our group of survivors and just as things couldn’t possibly get
worse it’s discovered that the fire from the crash has caused
structural weakness and the tower is starting to lean towards its twin.
Of course if the one tower topples over into the other the two will then
crash across a large portion of the city, so the only option is a
controlled demolition of the burning skyscraper and a death sentence to
those inside.
As a disaster film this hit all the right notes; characters we care
about in peril narrowly escaping ghastly deaths numerous time, heroes
risking all to save as many as they can, and idiots who get their just
deserts and die horribly. The movie does trot out almost every cliché of
the genre and even borrows a few from other genre movies. There is an
especially tense scene where a group of survivors try to cross the Sky
Bridge which is a glass walkway between the two towers; we’ve seen this
in movies where it’s either a rickety bridge or thin ice but clichéd as
it may be it is still damn effective and works great here.
Now this is far from a perfect film as the moments of comedy don’t
always work and often oddly placed with some characters being just a bit
too cartoony to be believable. Those few missteps aside I really felt
for those survivors as they scrambled for their lives and I did actually
tear up towards the end. That is not something that happens often
during these kinds of films. Kim Ji-hoon has made an excellent entry in
the disaster film genre and one I highly recommend.
And don’t forget… take the stairs!
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