Everyone loves gangster films, James Cagney, Paul Muni, and Humphrey
Bogart lit up the silver screen for years portraying some of the
toughest mugs in cinema, but director
Alan Parker takes a decidedly different angle with
Bugsy Malone,
the entire cast consists of children averaging twelve years of age and
also it’s a musical. For a first feature length film that shows some
serious cojones from a director.
Chicago eat your heart out.
The songs for the film are by legendary singer/songwriter
Paul Williams (
Phantom of the Paradise)
and all of them are pretty damn catchy. Though the cast is all kids the
singing was provided by adults with Williams performing several of
them. This does make it a bit weird when you hear Paul Williams’s very
white voice belting out of Razamatazz (
Michael Jackson and no not that one) a ten year old black kid as Fat Sam’s piano player.
Set during the Roaring Twenties we get your standard story of rival
gangs fighting it out in the streets of Chicago where head mobster Fat
Sam (Sam Cassisi) runs a successful speakeasy but finds his entire
organization in the sites of Dandy Dan (Martin Lev) a rich and polished
rival mob boss.
“Do nothing. Act like everything is normal”
The title character of Bugsy Malone (
Scott Baio
in his screen debut) is a drifter who does as little as possible but
just what he needs to get by; a grifter, a thief, chauffeur and sometime
boxing manager, but things change when he falls for Blousie Brown (
Florrie Dugger) a girl with great voice and dreams of being a movie star.
Scott Baio is Bugsy Malone
A rival for Bugsy’s affection is torch singer Tallulah (
Jodi Foster)
but who is also Fat Sam’s girlfriend and this brings up the “creep
factor” as it’s one thing to see little boys dressed in suits and
sporting fake moustaches it’s another to see young girls dressed as 20s
speakeasy singers.
Jodi Foster is Tallulah.
The other key element of
Bugsy Malone is the “
Splurge Guns”
which Dandy Dan is using to take out Fat Sam’s gang. In this alternate
kid universe guns have been replaced by cream filled pies and to get hit
by one meant you were dead. Whether this meant you were actually dead
or just forced to leave this universe and go back home to your parents
is unclear. Now Dandy Dan arrives with a technological edge with Tommy
Guns that fire pie filling, so one by one Fat Sam’s rackets crumble.
“Ready, aim..SPLAT!”
Eventually Bugsy is able to turn the tables by outfitting a group of
down and outs with captured Splurge Guns and stages a cream filled
ambush of his own. The climax is your basic
Great Hollywood Pie Fight with cream filling flying everywhere until the fight is brought to a stop by Razamatazz who starts tinkling the ivories with “
You Give A Little Love” that gets the whole cast singing along.
“We could’ve been anything
That we wanted to be
And it’s not too late to change
I’d be delighted to give it some thought
May-be you’ll agree that we really ought”
Jazz Hands!
I’ll always have a soft spot for this movie, having first seen it in
the theater when I was ten years old, and watching it again it really
hasn’t lost any of its charm. The songs are great, the premise is
beautifully goofy, and the cast of young performers are all surprisingly
good.
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